01Upload & analyze your clip
Drop a short video (up to 30 seconds). ReaVideo maps visuals, motion, and sound into prompt language.
First 30 seconds analyzed · MP4, MOV, or WebM
Compatible tools
Copy the English timeline prompt into these tools — wording stays model-neutral; add tool-specific tags if you need them.
Stop guessing seed wording. Turn a real reference into an editable prompt pack.
Output covers style, camera, motion, mood, speech, and background music so remakes stay on-structure.
One upload → a ready-to-paste timeline prompt — no starting from scratch.
Remake example
Upload a finished clip, reverse-engineer a timeline prompt, then paste it into an AI video tool to remake the look. Same structure: Batmobile, black-clad figure, HUD, brutalist framing — new generation from the prompt, not a caption dump.
Timeline prompt
Global · Timeline · Negative — ready to paste
Prompt:
Global: Vertical 9:16, approximately 22.1 seconds, a glossy cinematic 3D automotive fashion montage set to a hip-hop/trap track featuring deep 808 bass, rolling hi-hats, and non-diegetic male rap vocals. A matte-black Batmobile-style supercar is showcased in a vast, empty concrete chamber with a wet, mirror-like floor. The edit uses rapid zooms, split screens, digital glitches, scanner graphics, and a faux camcorder view. The car features a long sculpted nose, a circular turbine-like front intake, a dark bubble canopy, tall bat-wing rear fins, red circular taillights, a large rear exhaust, and yellow bat-emblem wheel centers. The sole subject is a slim young adult woman with very long straight black hair, oversized black sunglasses, a black sleeveless crop top, and a long black skirt.
Timeline:
- 0–2s: Extreme close-up of a front wheel and its yellow bat emblem, framed by black letterbox bands. The camera rapidly pushes in and pulls back, alternating between the full wheel and the hub. White glitching words flash in sequence: “BEGGING,” “ON,” “HER,” “TO,” “BE,” and “POPULAR.” The car remains stationary in a gray concrete interior with bright light entering from the right. A pitch-shifted vocal intro chop and drum fill riser play.
- 2–3.5s: A tilted overhead close-up of the canopy and front fender cuts to a low rear three-quarter view and a low front three-quarter view. Horizontal split-screen bands duplicate and offset the images. White “DETECTING…” text, coordinate columns, crosshairs, and thin wireframe lines sweep across the car as the glossy floor reflects the fins, wheels, and concrete walls. A driving instrumental trap beat drops with prominent 808 bass, crisp snares, rolling hi-hats, and sparse synth pads; no speech.
- 3.5–5.5s: The montage accelerates through overhead, rear, and front views. A vertical orange-red scan block moves across the frame, briefly shifting the entire scene into a saturated orange-red thermal-style treatment with flickering white numerical readouts and X-shaped targeting marks before returning to cool gray and fading to black. The instrumental trap beat continues without vocals.
- 5.5–8.5s: A high, wide view reveals the car beneath a concrete mezzanine, rectangular ceiling lights, and a bright skylight. Vertical sliding panels multiply the view into two and three narrow copies. The composition shifts to a low rear view, repeating the fins, red taillights, and exhaust across the split screen before the panels slide away. The instrumental trap beat continues steadily.
- 8.5–10s: A clean, high-angle close-up slowly glides along the glossy canopy, roof vent, front fender, yellow wheel emblem, and circular nose intake against a softly blurred background as scanner graphics disappear. The instrumental trap beat continues with rolling hi-hats and deep 808 bass.
- 10–13s: A low side three-quarter shot captures the full car beneath the concrete overhang. The camera executes a gentle lateral move and slight push-in, showing the side vents, exposed metallic exhaust pipes, and elongated reflections on the wet floor. The instrumental trap beat continues without speech.
- 13–14.5s: The style switches to a high-angle faux camcorder interface complete with “REC,” a red dot, a running timecode, “HDV,” battery, and exposure indicators. The woman stands beside the front wheel with her back to the camera, raising both hands to adjust her sunglasses as exposure briefly darkens and brightens. The instrumental trap beat continues.
- 14.5–16s: An extreme close-up frames her face and sunglasses in three-quarter profile with a neutral, composed expression and long pale manicured nails. Her hand moves slowly across her bare shoulder and upper arm in soft lighting. The instrumental trap beat plays on.
- 16–17s: A wide rear view shows her walking toward the car, her skirt and hair swaying slightly with each step. A white skeletal motion-tracking overlay connects her limbs with green joint markers and floating decimal coordinates. The instrumental trap beat continues.
- 17–18s: As she continues walking with the skeletal tracking overlay active, non-diegetic male rap vocals enter over the trap beat in a relaxed, rhythmic flow: "First I go whip out the bowl / YK hit on the brakes / My life..."
- 18–19.5s: The camera pushes in closer as she turns into a three-quarter pose beside the car. The tracking overlay shifts into gray rectangular boxes with diagonal crosses and small yellow numerical labels. She looks toward the lens through her sunglasses and extends one hand toward the bodywork. Non-diegetic male rap vocals continue over the heavy trap beat.
- 19.5–21s: A blurred overhead transition reveals her leaning against the front fender near the turbine intake, supporting herself with one hand, leg bent, and raising her other hand near her sunglasses as the camera pulls back and rises. The relaxed non-diegetic male rap vocals and rhythmic trap beat continue.
- 21–22.1s: The high-angle view settles on the woman resting against the front fender, making subtle adjustments to her hair and sunglasses. The tracking boxes and yellow coordinates fade out, leaving the black supercar, her black silhouette, and their reflections across the wet concrete floor as the rap vocals and trap beat resolve.
Negative: no people in the background, no crowd, no additional vehicles, no visible driver, no watermark, no unintended blur, no distorted anatomy, no flickering body details, no low-resolution textures, no color banding, no frame tearing, no unwanted text, live speech, diegetic dialogue, car engine sounds, foley, acoustic instruments.Try it above — drop your own clip and remake the next one.
Reference ads · Reels & TikTok · viral AI remakes — reverse the structure, then restyle the subject.
| Guessing prompts | ReaVideo | |
|---|---|---|
| Starting point | Blank chat | Real reference video |
| Speed | Trial and error | Upload → prompts |
| Consistency | Hard to match a clip | Anchored to the source |
| Output | One-off wording | Editable timeline prompts |
Video to prompt means turning a finished clip into structured AI prompt text you can reuse. On ReaVideo you upload a short video and get an English timeline prompt — so you can remake or restyle similar scenes without guessing wording from scratch.
Yes — people search both when they want prompts from a finished clip. Extract prompt from video / get prompt from video usually means the same job as video to prompt: reverse-engineer a short upload into editable English timeline prompts you can paste into AI video tools. On ReaVideo that is the homepage upload → prompt workflow (up to 30 seconds).
Drop a local file (MP4, MOV, or WebM; we use the first 30 seconds) on the homepage upload zone. ReaVideo analyzes the clip and returns a reverse-engineered, ready-to-paste timeline prompt. There is no URL upload on this page — use a file from your device.
Yes. Reverse-engineer the reference clip into a timeline prompt, then paste it into an AI video tool and change the subject or brand while keeping structure, camera, and mood. The homepage remake example shows original clip → reverse-engineered prompt → AI remake.
Output is built for regeneration, not captions. It covers style, camera, motion, mood, speech, and background music in a Global / Timeline / Negative-style English template you can edit before pasting.
Any English text-to-video or video workflow that accepts prompts. Creators commonly paste into Sora, Kling, Veo, Runway, Wan, and Seedance (see Compatible tools).
No. A transcript dumps spoken words. Image to prompt starts from a still. Video to prompt starts from motion and sequencing in a clip and returns prompt-oriented language for remakes.
We analyze up to the first 30 seconds per upload on reavideo.online. Longer clips are accepted — only the first 30 seconds are used. Short clips keep the timeline sharp for remakes.
No. Parts of our approach were inspired by the open-source JuneYaooo/rea-video project, but ReaVideo on https://reavideo.online is an independent product and is not affiliated with, endorsed by, or part of that repository — and this site is not its official app. The /rea-video page introduces that project; the main CTA there is GitHub. The homepage / is the hosted video to prompt tool.
Generate a video to prompt pack in minutes — then paste into Sora, Kling, Veo, or Runway.